Employment Costume Maker Assistant (Freelance) | Projects for The Royal Ballet and Opera House, English National Ballet 2024 - Present London
Assistant Designer/Dresser at Berlin Opera Academy | Productions of ‘Sour Angelica/Gianni Schicchi’
‘Die Zauberflöte’ 2024 Berlin
Design and Production Intern at Conner Ives 2023 - 2024 London
Trainee Lingerie Designer at Primark 2022-2023
Dublin
Education MA Costume Design for Performance | London College of Fashion 2024 - 2025
BA (Hons) Fashion Design and Development | London College of Fashion 2020 - 2024
Exhibitions and Projects (upcoming) LCF Postgraduate Class of 2025 School of Media and Communication Exhibition 2025 London
Short Film ‘Gykas’ for ‘Odiseja72’ Competition. Winner of the ‘Most Original’ category 2021
Vilnius
Westfield London’s ‘Future Fashion’ National Competition. Second Place Winner 2021
London
Last Updated 25.09.30
LAURA ANDRIU
COSTUME DESIGNER
‘Cleansed’ - Tinker, 2025 MA Costume Design for Performance
Master’s Project, based on Sarah Kane
“Death isn’t the worst thing they can do to you.”
Set in a ‘university’ institution, the play showcases four interlinked love stories where a brutal leader, master of the nighmare, tests how far the inmates would go for love.
Tinker reflects this brutality while also symbolising human apathy to war and genocide. He lives in a Foucauldian system appearing to be at the top of the hierachy, however, his fear of vulnerabilty contradicts his position.
Photography: Lili Schullin
HMUA: Léna Rodrigues
Performer: Tom Wood
‘Tereus and Philomela’ - Philomela, 2025 MA Costume Design for Performance
Based on Ted Hughe’s ‘Tales from Ovid’ “I may be lost, but I have my voice”
Interested in how trauma and PTSD affect the mind and recollection of events, I chose to portray the story through the memories of Philomela. The brutal actions are showcased through a ‘bleeding’ garment which symbolises the unhealed wounds of past experiences.
Photography: Tony Ngan MUA: Yeseul Lee Performer: Aroa Mora
‘Rusalka’, 2024 MA Costume Design for Performance Based on Antonín Dvořák’s Opera
“Give me a human body, a human soul!”
My interpretation of the opera focuses on a dichotomy between a world of heritage, home, togetherness while referencing Lithuanian folklore versus the soviet union world of coldness, rigidness and brutalism.
Photography: Siyan Shen Performer: Leah Gibby
Decay, 2025
This is a movement based project in collaboration with a choreographer Jana Bednářová which repressents internal decay that takes place not in the flesh but in the mind.
The costumes were broken down to repressent the decomposition. Using a variety of techniques I played with colour, rips, and textures to create a stylised look suitable for a movement based photoshoot.